EDUCATION
| 1999 |
MA Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY |
| 1987 |
BFA University of Texas at Austin |
SOLO EXHIBITIONS
| 2010 |
Just In Queso, David Shelton Gallery, San Antonio, TX
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| 2009 |
Blame it on Mexico, Aldrich Contemporary Art Museum, Ridgefield, CT
The Happy Lion, Los Angeles, CA
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| 2006 |
A Can for All Seasons, ArtPace, San Antonio, TX
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| 2005 |
A Can for All Seasons, Public Art Fund, New York, NY
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| 2003 |
Back in 5 minutes, Sala Diaz, San Antonio, TX
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| 2001 |
Souvenirs, Jessica Murray Projects, Brooklyn, NY
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| 2000 |
Solo Project, The Fuller Art Museum, Brockton, MA
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| 1996 |
ArtPace, San Antonio, TX
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| 1995 |
Southwest Texas State University, San Marcos
Introductions '95, Barbara Davis Gallery, Houston, TX
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| 1994 |
Karen Rhymer Gallery, San Antonio, TX
Bemis Center for the Arts, Omaha, NE
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| 1988 |
Southwest Craft Center, San Antonio, TX
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SELECTED GROUP EXHIBITIONS
| 2009 |
Queens International 4, Queens Museum of Art, NY
Seriously Funny, Scottsdale Museum of Contemporary Art, AZ
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| 2008 |
Phantom Sightings: Art after the Chicano Movement, Curated by Howard Fox, Rita Gonzalez and Chon Noriega, Los Angeles County Museum of Art, Los Angeles, CA; Museo RufinoTamayo, Mexico City, Mexico; Museum Alameda, San Antonio, TX; Contemporary Art Museum, Houston, TX; Cultural Universitario , Guadalajara, Mexico; Americas Society/Museo del Barrio, New York, NY (traveling)
What Do You Care? A group show with Alejandro Diaz, Amir H. Fallah and Andrew Lewicki, Mary Goldman Gallery, Los Angeles, CA
A Declaration of Immigration, National Museum of Mexican Art, Chicago, IL
A New Cosmopolitanism: Preeminence of Place in Contemporary Art, California State Univ. Fullerton
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| 2007 |
Ceci n’est pas…, Sara Meltzer Gallery, New York, NY
Surge – 798 Dashanzi Art Festival, Beijing, China
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| 2006 |
Body Double Forum + Elzbieta Koscielak Gallery Cultural Center Zamek, Lesnica Castle, Wroclaw, Poland
Light /Art: Mystic, Crystal, Revelation, Santa Barbara Contemporary Arts Forum, CA
Works on Paper Biennial, Weatherspoon Art Museum, Greensboro, NC
Tres Anos, Tres Amigos, Tres Chic, New World Museum, Houston, TX
Four Freedoms, Marin Art Gallery, Muhlenburg College, Allenstown, PA
Apropiaciones, KBK Galleria Contemporanea, Mexico City, DF
Never Leaving Atzlan, Museo de Las Americas, Denver, CO
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Gift: Wrap and Set Boutique, Julia Friedman Gallery, NY
Cheap and Chic, Galeria O-Itatti, Mexico City, Mexico
The Superfly Effect, Jersey City Museum, NJ
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| 2004 |
Fall Selections ‘04, The Drawing Center, NY
Open House: Working in Brooklyn, Brooklyn Museum of Art, NY
Pequenas Escenas, Galeria Animal, Santiago, Chile
Neo-Queer, Center on Contemporary Art, Seattle, WA
Postcards from Cuba: Selections from the 8th Havana Biennial, Heine Onstad Kuntsenter, Oslo, Norway
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| 2003 |
I (Heart) CUBA, Eighth Havana Biennial
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| 2002 |
Grotto, Jessica Murray Projects, Brooklyn, NY
Queer Visualities, Stony Brook University, Stony Brook, NY
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| 2001 |
Cartoon-like, Rudolph Projects, Houston, TX
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| 2000 |
S-Files, El Museo del Barrio, NY
Latino Redux, University of North Texas State, Denton
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| 1997 |
Simply Beautiful, Contemporary Art Museum, Houston, TX
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| 1996 |
Synthesis and Subversion: A Latino Direction in San Antonio Art, Art Gallery, University of Texas at San Antonio and UTSA Satellite Space
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| 1991 |
Material as Message, Glassel School of Art, Houston Museum of Fine Art, TX
Las Manos del Artista, Casona - Centro Cultural de la Secretaria, Mexico City
Marcas Registrada, Galleria Arte Contemporaneo, Mexico City
Extranjeros en Mexico: Francis Alys, Alex Vaness, Alejandro Diaz, Eugenia Vargas, Silvia Grunner, Taller Diaz, Mexico City
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| 1989 |
Blue Star IV, Curated by Lucy Lippard, Blue Star ArtSpace, San Antonio, TX
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Other Activities
| 2003 |
Lecturer, I.P.O. Artist - Curator dialogues, Whitney Museum of American Art. Nov. 11, 2003
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| 2000 |
Panelist, Latino Redux: A Collections of Stories, Lies, and Embellishments, Southwest Texas State University, Denton, TX. February 2000
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| 1997 |
Panelist, American Canvas: A Roundtable on the 1997 NEA Report, Art Journal Vol. 57 No. 3 (Fall 1998), p. 69-76
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| 1996 |
Founder, Sala Diaz, San Antonio, TX. December 1996
Lecturer, The influence of Mexican Folk Art on the Contemporary, San Antonio Museum of Art, San Antonio, TX. February 1996
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Residencies
| 1996 |
ArtPace International Artist-in Residence Program, San Antonio, TX
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| 1994 |
Bemis Center for Contemporary Art, Omaha, NE
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Grants, Fellowships, Commissions
| 2007 |
Louis Comfort Tiffany Foundation Award
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| 2004 |
Public Art Fund, In the Public Realm, New York, NY
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| 2003 |
Linda Pace and ArtPace – supplemental grant for the Havana Biennial Project
Frances T. and Stephen P. Magee – supplemental grant for the Havana Biennial Project
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| 1998-1999 |
Bard College, Curatorial Studies Fellowship, NY
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| 1994 |
Margaret Pace - Robert Wilson Foundation Grant
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| 1993 |
River Pierce Foundation Grant
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| 1992 |
Umlauf Award in Sculpture, University of Texas at Austin
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Internships
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Downtown Arts Projects, New York, NY (summer 1999)
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Whitney Museum of American Art, New York, NY (summer 1998)
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